- Actors walkout will halt projects that skirted writers strike
- Industry shutdown marks end of decade-long surge in production
For the first time in six decades, Hollywood writers and actors are on strike at the same time — a cataclysm for hundreds of thousands of film and TV workers already idled by the entertainment industry’s growing labor strife.
The Screen Actors Guild, which represents some 160,000 performers, announced a walkout Thursday after failing to reach a new labor agreement with the
The
In a statement after the strike announcement, the studio alliance said the union “has regrettably chosen a path that will lead to financial hardship for countless thousands of people who depend on the industry.”
The studios say they offered double-digit percentage increases in salaries and higher pension and health benefits, as well as a boost in residuals — the money actors and others receive when shows and movies are rerun. They also offered protections against the use of actors’ digital likenesses — addressing fears about artificial intelligence.
At their press conference, SAG officials suggested the sides remain far apart, with compensation from streaming a key issue as online video entertainment takes predominance over broadcast and cable TV. Regarding artificial intelligence, the union said the studios offered to pay background actors for just one day’s work, and that their likenesses could then be replicated again and again in a film.
“I cannot believe how far apart we are in so many things,”
Work on dozens of popular programs has already been halted including ABC’s Abbott Elementary and Netflix’s Stranger Things.
The impact of the simultaneous strikes, if they last more than a few days, is likely to be wider than the walkout by the writers alone. Programs already written could still be filmed without screenwriters, but not without actors.
Actors will also have to stop promoting upcoming projects, such as at film premieres, awards shows and events like San Diego Comi-Con International, scheduled for next week. Programs shot overseas could be impacted. And while other contracts may allow actors appearing in game shows or reality TV to continue working, they may get pressured to join the strike in sympathy with their colleagues.
“The longer it goes, it will just become a snowballing issue,” said
Labor Unrest
The great Hollywood walkout is part of a larger battle that has seen workers fighting for better pay and benefits from businesses as far flung as
The entertainment industry is struggling to cope with two related problems: declining audiences for traditional TV networks and staggering losses from a new generation of streaming services like Disney+ and
Disney Chief Executive Officer
“This is the worst time in the world to add to that disruption,” Iger said in a CNBC interview.
Every major entertainment company has fired staff in the last 18 months, and many of them have pulled programming from their streaming services to cut costs.
Tragic Ending
In a way, the dual strikes mark
Both the actors and writers say they’ve been shortchanged by the transition to streaming — and want to be paid a share of companies’ earnings from shows. They’re also seeking protection against the use of artificial intelligence, which they see as a threat to their jobs.
The last time writers and actors walked out together was in 1960, when SAG was led by
The last strike by writers, a 100-day walkout that began in 2007, cost the California economy an estimated $2.1 billion in lost output. The guild now projects the cost at $30 million a day, based on its members alone.
The stoppage has hit companies that work with the film and TV industry, including owners of studio space like
Fewer Permits
In New York, home to TV productions like Law & Order and Blue Bloods, the number of permits to shoot films, TV shows and commercials fell 43% in June from their 2022 level.
In the short run, the strikes could boost profits for the media giants. With filming shut down, they won’t have movie and TV production costs yet can continue to collect revenue from cable TV distributors, advertisers and program syndication sales, even if they’re airing reruns or other shows.
“As long as they have content, they’re going to continue to make money,” said
Still, the inability to commission and shoot new programming will begin to weigh on the industry in the months ahead. Media companies rely on fresh programming to attract and keep viewers or fill seats in movie theaters.
Streaming services have already spaced out new releases but face a major shortfall in 2024 if they can’t get production up and running before the fall.
Although the Directors Guild of America reached a new contract last month that included a pay hike of 5% in the first year, the writers and actors have shown less willingness to deal.
“In general, labor is not in a mood to be conciliatory at this point in time given the tightness of labor markets,” Beacon’s Thornberg said.
(Updates with union comments on AI in sixth paragraph.)
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To contact the editors responsible for this story:
Rob Golum, Christopher Palmeri
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